Saturday, May 3, 2008
Director: Rob Cohen
Screenplay by: Kario Salem
Ray Liotta: Frank Sinatra
Joe Mantegna: Dean Martin
Don Cheadle: Sammy Davis Jr.
Angus Macfadyen: Peter Lawford
William Petersen: John F. Kennedy
Zeljko Ivanek: Bobby Kennedy
Bobby Slayton: Joey Bishop
Megan Dodds: May Britt
Dan O'Herlihy: Joe Kennedy
Robert Miranda: Momo Giancana
Barbara Niven: Marilyn Monroe
Michelle Grace: Judy Campbell
John Diehl: Joe DiMaggio
Alan Woolf: Mickey Cohen
Phyllis Lyons: Pat Kennedy Lawford
A workmanlike biopic, The Rat Pack covers the activities of Frank Sinatra and his pals between 1958 and 1962. It ranges widely, exploring the intersection of Sinatra's life in entertainment, his relationship to the mob, and work for John F. Kennedy in the 1960 election. At the same time, it explores the attitudes and prejudices of its time, addressing the sexism, casual racism, alcoholism, and general irresponsibility that made Las Vegas in the early 1960's such a legendary place. Most impressively, The Rat Pack does a beautiful job of balancing these disparate elements, all while keeping the story moving at a smooth pace. Unfortunately, it sometimes lacks the grace and humor of its subject, and occasionally falls flat under the weight of its ambition.
Unfortunately, there's a hole in the center of this film. Ray Liotta neither looks, nor sounds, nor moves like Frank Sinatra. Unlike the cool, impassive, and charming Chairman of the Board, Liotta seems overenergized, twitchy, and obnoxious. Apart from this shortcoming, however, the performances are generally good, although most of the actors look nothing like their subjects. Don Cheadle more or less steals the show with his intense portrait of Sammy Davis, Jr., while Joe Mantegna seems to channel the humor and spirit (spirits?) of Dean Martin. Angus MacFadyen's Peter Lawford and Bobby Slayton's Joey Bishop are also spot-on perfect. These sterling performances, unfortunately, only highlight Ray Liotta's total failure to effectively portray Frank Sinatra. Similarly, Zeljko Ivanek's rendition of Bobby Kennedy and William Petersen's John F. Kennedy are absolutely terrible. One wonders, in fact, if either of these actors has so much as seen the men they are portraying.
Overall, this movie is a solid evocation of a time, a place, and a mood. It's worth watching, particularly for anyone who has ever wanted to know about this group and era.
Physical resemblance: 4
Historical Accuracy: 9
Production Values: 8
Source Material: My Thirty Years Backstairs at the White House by Lillian Rogers Parks and Frances Spatz Leighton
Director: Michael O'Herlihy
Teleplay by: Gwen Bagni and Paul Dubov
Olivia Cole: Maggie Rogers
Leslie Uggams: Lillian Rogers Parks
Louis Gossett Jr.: Levi Mercer
Robert Hooks: John Mays
Leslie Nielsen: Ike Hoover
Cloris Leachman: Mrs. Jaffray
Hari Rhodes: Butler Coates
Paul Winfield: Emmett Rogers Sr
Bill Overton: Doorman Jackson
Victor Buono: President William Howard Taft
Julie Harris: Helen 'Nellie' Taft
Robert Vaughn: President Woodrow Wilson
Kim Hunter: Ellen Wilson
Claire Bloom: Edith Bolling Galt Wilson
George Kennedy: President Warren G. Harding
Celeste Holm: Florence Harding
Ed Flanders: President Calvin Coolidge
Lee Grant: Grace Coolidge
Larry Gates: President Herbert Hoover
Jan Sterling: Lou Hoover
John Anderson: President Franklin Delano Roosevelt
Eileen Heckart: Eleanor Roosevelt
Harry Morgan: President Harry S. Truman
Estelle Parsons: Bess Truman
Andrew Duggan: President Dwight D. Eisenhower
Barbara Barrie: Mamie Eisenhower
I saw this miniseries when it first aired in 1979. I was seven years old, and not the best judge of artistic merit, but I remember being struck by the breadth of history that it showed and the humor in it. Years later, I decided to watch it again and found, sadly, that it didn't really hold up.
Basically, this is two movies that are very unevenly matched. On the one hand, there is the story of the Rogers family: Maggie, Lillian, and Emmett. Maggie works as a beautician and a maid, gains employment at the White House, and gradually gets drawn into the drama of working for America's first families. Her daughter, Lillian, is an energetic free spirit who also ends up working at the White House, where she and her mother often find themselves at loggerheads. Emmett is a nice guy who gets gassed in World War I and moves to Arizona.
The Rogers family story feels, at times, like a minstrel show. As Maggie, Olivia Cole is all pop-eyes and surprise, constantly amazed and irritated at the trouble that her daughter gets into. Meanwhile, Leslie Uggams plays Lillian as a sassy, yet fundamentally kind wild girl. Emmett is a decent, reliable man, as are most of the black male characters. For large portions of the film, these characters feel like a white ideal of the "Uncle Tom" stereotype: funny, sweet, and trying oh so hard to please the white folk.
The other story involves the various Presidents who occupy the White House: Taft, Wilson, Harding, Coolidge, Hoover, Roosevelt, Truman, and Eisenhower. In this respect, the film varies from brilliance to elementary school-level amateurishness, depending upon the Presidency being covered. While Robert Vaughn's Wilson is dry and wooden and George Kennedy's Harding veers into scenery chewing, Harry Morgan does a solid job as a snappy Truman and Andrew Duggan's Eisenhower is spot-on perfect. The real kudos, however, belong to John Anderson and Ed Flanders. As Calvin Coolidge, Flanders is perfect: strict, melancholy, and very funny in a dry way. On the other hand, John Anderson's FDR is hilarious, energetic, and charismatic. One sometimes hears about FDR's sexual magnetism and reputation as a playboy. Anderson makes this side come alive; his Roosevelt is an absolute delight, flirty and playful and brilliant.
Overall, the casting is one of the best parts of this film. Having grown up on 1980's television, I loved seeing so many of my favorite actors gathered here. For me, Victor Buono will always be Batman's King Tut, Harry Morgan is MASH's Colonel Potter, Leslie Nielsen is cemented as Police Squad's Frank Drevin, and Cloris Leachman is Young Frankenstein's Frau Farbissna. It was an absolute joy to see them as William Howard Taft, Harry S. Truman, Butler Hoover, and Housekeeper Jaffray, even if they often looked nothing like the characters that they were playing.
Overall, this movie is a useful history lesson and, despite its low production values and uneven acting, it is a lot of fun. The later nights are, far and away, superior to the earlier ones.
Physical resemblance: 4-10
Historical Accuracy: 6
Production Values: 4